The Battle of Vimy Ridge: History, Myth, Memorial and Remembrance

The Battle of Vimy Ridge was one of the costliest and most successful military engagements in Canadian history. Due to the extraordinary bravery of thousands of Canadians, the Battle of Vimy Ridge was hard-won against great odds. Today Vimy Ridge is commemorated in Canada as the defining moment when we shed the cloak of the British Empire and defined our own identity on the world stage as a victorious nation.

But.

History really is not the same as remembrance, as I discovered last June when I visited the battlefield. The Vimy Ridge memorial, built in 1936 on land donated by France to “all Canadian people,” has become enshrined in a national narrative honouring Canada’s “coming of age” and “birth” as a nation. With every new busload of Canadian tourists, British schoolchildren, curious Germans, this memorial perpetuates this narrative, while reminding us both the astounding scale of the First World War, and Canada’s role in that international conflict.

Once the feelings of overwhelming awe towards the immense bravery of all soldiers fighting in the First World War passes, and once you dig deeper into Canada’s exact reasons in 1917 for attacking this dreadful graveyard in France, and once you actually question what the hell so many young men were doing in such a devastating conflict, you begin to realise that the way we remember battles has become more important than the reality of what actually happened.

 The “Facts” that Fuel Canada’s National Narrative

Vimy Ridge was a heavily fortified seven-kilometre ridge in northern France that held a commanding view over the Allied lines. Previous attempts by the French to secure the ridge resulted in over 100,000 causalities, who lay in the open graveyard between the lines.

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Vimy Ridge on April 9, 1917. Canadian troops seen here advancing over no man’s land and through the German barbed wire whilst under fire. (Photo: Huffington Post).

The Canadian Corps spent weeks practising the attack. After the disaster at the Somme, British tactics were forced to change. Instead of relying on officers for leadership and strategy (many of whom had been slaughtered at the Somme), regular soldiers were now equipped with enough tactical details to adequately survive if their leader was killed in action.  For the first time, regular infantrymen were briefed on the terrain and maps, and encouraged to think for themselves. They were also armed with machine guns, rifle-men and grenade throwers, giving them more versatile tools to overcome obstacles.

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Prior to the Canadian attack on April 9th, 1917, the Canadian Corps had around 1,000 men working on 12 underground passageways. Each of the tunnels housed soldiers, ammunition, water, and communication lines, and most were lit by electricity.  See Valour Canada website for more details.

Elaborate tunnels in the rear lines (the longest being 1.2km in length) allowed for quick communication between rear and front line trenches. This also allowed for critical supplies to reach all the troops in the weeks leading to the attack.

But the chief reason for success was the devastating artillery barrage that isolated German trenches and forced German machine gunners to stay in their deep dug outs. A week before the attack, more than a million shells were fired at the German lines, and even targeted at the villages in the rear. The Germans called this “the week of suffering.”

The new artillery fuse (called 106) meant that shells detonated upon impact, rather than burying themselves in the ground, which meant that hard defences could be more easily destroyed. One Canadian observer recorded that the shells poured “over our heads like water from a hose, thousands and thousands a day.”

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British General Sir Julian Byng and the commander of the Canadian Expeditionary Force, warned before the attack on Vimy Ridge, “Chaps, you shall go over exactly like a railroad train, on time, or you shall be annihilated.”

On the morning of Monday, 9 April 1917 at 5.30am, four Canadian divisions, attacking together for the first time, overran the German line. Over 15,000 Canadians accompanied by one British division captured the highest part of the ridge (Hill 145) and within three days, the Canadians and British had won the ridge.

But Vimy Ridge was only victorious at a great cost. Nearly 4,000 Canadians were killed and 7,000 were injured.

The Facts Excluded from the Canadian Narrative

The Canadian War Museum website, the Vimy Foundation website, and the Veterans Affairs website of the Canadian government fail to mention German casualties or prisoners, or even recognise Britain’s involvement as anything but ancillary.

Exact figures for German casualties are unknown due to the destruction of records in the Second World War. But we know that 4,000 Germans were taken prisoner, while the Canadian Encyclopaedia estimates that 20,000 Germans were killed or wounded at Vimy Ridge.

One of the reasons for German defeat was the German Commanders’ failure to adequately use a newly introduced defensive tactic called “defence in depth.” Rather than stubbornly defending every foot of captured ground, German armies would allow attacking troops to probe into their territory just far enough to be beyond their supply lines — and then destroy them in a counterattack. The strategy was very effective, but the German defenders of Vimy were given the traditional order to “hold the line” at all costs. The German commander, Ludwig von Falkenhausen, was promptly reassigned after the defeat.

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Captured German prisoners after the Battle of Vimy Ridge, 1917. Photo credit: the National Post and Library and Archives Canada.

In the aftermath of Vimy Ridge, German soldiers were photographed smiling after being taken prisoner. This, despite the fact that Canadians had earned a grim reputation for killing those who surrendered. (For an excellent article on this, see Tim Cook’s The Politics of Surrender).  But smiling for the camera was no coincidence. A year previously, Germany had suffered through the “turnip winter”, when adults were living on just 1,200 calories a day. So, becoming a POW often meant receiving better rations. Also, the Germans had just undergone weeks of night attacks and raids on their trenches. They were obviously exhausted and relieved to be no longer fighting.

Despite Canadian proclamations of victory, Germans viewed Vimy Ridge as a draw rather than an outright defeat. Historians, such as Andrew Godefroy, admit that due to a lack of sources, it is difficult to fully reconstruct events on the German side. But he revealed that although General von Falkenhausen was assigned most of the blame for losing the ridge, other commanders including General Georg Karl Wichura and Oberstluetnant Wilhelme von Goerne, received medals for their leadership. Also, because the Canadians took the ridge but failed to break the German line, the Germany army recognized, to some degree, that Vimy Ridge had not entirely been a defeat.

Most importantly, the Battle of Vimy Ridge was strategically insignificant to the outcome of the war. Other battles, such as Amiens and Cambrai had far greater impact. As historian Andrew Godefroy writes in Vimy Ridge, a Canadian Reassessment: “To the German army the loss of a few kilometres of vital ground meant little in the grand scheme of things.” After Vimy Ridge, the repute of Canadian troops was certainly increased, especially as elite shock troops in 1918, but Vimy Ridge itself was not strategically important.

Commemorating Vimy Ridge: Let’s Build a Memorial!

After the First World War, nations devastated by conflict erected thousands of monuments (both large and small) to acknowledge those who died. France and Belgium donated sections of land to its allies for the purposes of commemoration. And Vimy Ridge was one of eight battle sites (five in France and three in Belgium) awarded to Canada.

In 1920, the newly established Canadian Battlefields Memorial Commission organized a competition for a Canadian memorial to be erected on each site. Walter Allward, an experienced sculptor and a well-known designer of memorials, won the competition in 1921. Due to Vimy Ridge’s vantage point, accessibility and significance, the Canadian Battlefields Memorial Commission decided that Allward’s memorial would be built at Vimy Ridge (although it did take 2.5 years to clear the 100 hectare land of unexploded bombs, some of which still remain there today).

After ten years of construction (it took two years to find a suitable quarry for the limestone, which, ironically, was located in Sarajevo, Yugoslavia where the assassination of Archduke Ferdinand and his wife had started the First World War), the memorial was completed in July 1936. 6,000 Canadians were given “Special Vimy” passports by the Canadian government to make the “pilgrimage” to the unveiling.

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Over 100,000 spectators attended the unveiling. His Majesty King Edward VIII and various Canadian representatives met with mothers whose sons had died. One veteran remembers: “The service lasted only an hour but never had anyone experienced one more solemn or moving” (Saburo Shinobu, Japanese Branch of the Canadian Legion).

Adorned with twenty sculptures, Allward’s memorial is topped by figures representing the universal virtues of faith, justice, peace, honour, charity, truth, knowledge and hope. The Christian symbolism is obvious and clearly references “traditional images of the Mater Dolorosa (the Virgin Mary in mourning), while the figure spread-eagled on the altar below the two pylons resembles a Crucifixion scene.”

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“Between the pylons stands a figure holding a burning torch. Entitled ‘The Spirit of Sacrifice’, it is a reference to one of the most famous poems of the Great War, ‘In Flanders Fields,’ by the Canadian Army Medical Corps officer, Lieutenant-Colonel John McCrae.” (Canada War Museum)

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Although not a part of the original design, over 11,000 names of all the Canadians who had died with no known grave are etched into the base of the monument. (Photo from Amerique Francaise)

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A maternal figure at the base of the memorial. Note the engraved names around the base.

In 1940, as German armies swept through western Europe, destroying many of the First World War monuments in its wake, Vimy Ridge was exempted. In fact, Hitler visited the monument and was so impressed that he apparently assigned Waffen SS guards to protect it. This prevented regular soldiers of the German army from defacing the monument.  As most of the Australian WWI graves and memorials had been destroyed by advancing German troops, this likely saved Vimy Ridge from a similar fate.

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Although saving the memorial was also a propaganda stunt to demonstrate Hitler’s goodwill to the conquered French people, perhaps we should all be a little more in awe of a structure that even Hitler himself wouldn’t destroy.

Although the sculpted figures need repair throughout the years, and the monument undergoes regular cleaning, even today the Vimy Ridge memorial looks brand new. Its white stones contrast the blue skies and rolling hills in the large valley below. Just a kilometer away, a new visitor’s centre offers tours to over 700,000 people a year by real Canadian guides. They take groups through the trenches, preserved as they were a hundred years ago.

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After the war, the trenches were preserved by pouring concrete into the original sandbags.

Myth Making of a Nation

While I would never minimise the great cost of human life associated to any battle, Vimy Ridge, as a cornerstone of Canadian national identity, is perpetuated by this imposing memorial and its regular commemoration. According to the Canadian Encyclopedia, the choice to build this memorial at Vimy Ridge “was a less a result of the battle’s importance than of Vimy’s extraordinary geographic location – a high vantage point with a commanding view, visible from miles around.” And, to be fair to the Canadian Battlefields Memorial Commission in 1920, it really is a glorious view.

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Canadian historian, Tim Cook, claims that Vimy Ridge was elevated above other Canadian battles, at least partly, for political and national purposes. He addresses the divergence between history and mythmaking in his new book Vimy: the Battle and the Legend (2017):

“Canada is a country – like most – that places little stock in its history, teaching it badly, embracing it little, feeding it only episodically. As Canada developed over time, we cast aside much that grounded us in the past; yet there are some ideas, myths and icons that persistently carry the weight of nationhood. Vimy is one of them.”

The meaning behind Vimy Ridge – whether a bloody sacrifice of countless young men in a war forced upon them by an outmoded commitment to Empire, or perhaps a remarkable story of miraculous nation-forging against all odds – is evolving through a process of forgetting and remembering. With every new busload of Canadian tourists, British schoolchildren, curious Germans, and bewildered Americans, Vimy Ridge is reinterpreted and reconceptualised again and again to the waves of spectators in awe of its remarkable history.

But what I asked myself, one hundred years after the Canadians had won this beautiful vantage point in France, while standing under its majestic pillars on a sunny day in June 2017:

What would we remember of Vimy Ridge if it wasn’t for this impressive memorial?

Vimy Ridge is both a lesson in history and a lesson in remembrance. While Vimy Ridge might unify the two in one immaculate feat of human creation, they are not synonymous. The Battle of Vimy Ridge was an epic victory, where men from each corner of Canada joined together for the first time in a victorious campaign against their sworn enemy. But it wasn’t entirely Canadian – it was led by a British officer and supplied by British provisions. And it wasn’t entirely a victory – it had no decisive impact on the war and the German lines remained intact. Despite those important details, remembering Vimy Ridge at this grand memorial is a testament to a country mourning the great loss of its youngest citizens.

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“Wars Are Not Won by Evacuation”: Untangling the Truth from the Evolving Dunkirk Myth

This month, Christopher Nolan’s long-awaited war epic “Dunkirk” hit screens worldwide. Critics have praised it as Nolan’s best film yet: a “powerful, superbly crafted film” and “a visceral, suspenseful, at times jaw-dropping historical war movie.” With a formidable British cast, a massive budget, the largest marine unit in movie history (60+ boats), and authentic filming actually occurring in the English Channel, “Dunkirk” will invariably be added to the list of war epics including Saving Private Ryan, Schindler’s List, the Great Escape and Das Boot.

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Dunkirk (2017) already as a spot in the top 30 war movies ever made

My thoughts just moments after watching the film? You get a real sense of urgency. The unwavering and intense anticipation was steadily increased throughout every scene by a soft, but perpetual tick-tock in the background. Every action sequence becomes a catharsis from the tick-tock only to return again, bringing with it this heavy feeling of apprehension that Britain’s brief, hopeful window to escape from Dunkirk is coming to an end. Time is truly ‘of the essence’ in this film.

Nolan’s Dunkirk is perhaps better appreciated by clarifying what it is not. This is not a comedy (as in, there’s not a single joke made to lighten the mood, even briefly). This is not a commentary about the highest-level political decisions of the period (there is no scene that shows Churchill furrowing his brow or naval/army/air force commanders bickering in Westminster). This is not a romance film (in fact, other than a few nurses, there was no female cast, nor insinuation to homosexual love). This is not a transnational film that attempts to bond enemies (there is no scene that shows German soldiers, except a rare glimpse at a Messerschmitt 109E and a few bombers, but even that is from a distance). This is not a documentary (despite a small amount of text after the opening credits, this film does not provide historical facts, nor interviews with survivors).

So what is it?

Perhaps this is best answered by you, the audience. For me, it was a story of survival. Well, a story of British survival. I really enjoyed it. I cringed, I cried, I squirmed, I begged, and I felt the greatest sense of hope when I saw the RAF Spitfires doing their intricate dances in the sky. (Which, coincidentally, is an excellent foreshadow to what would follow the Dunkirk evacuations – the Battle of Britain).

Walking out of the theatre on a Tuesday afternoon in July in Scotland, I followed a mother with her teenage sons. They were enthralled by the movie, but bursting with questions: “Did Grandddad fight in that? How come there weren’t more fighter planes to help the lads on the beaches? I’d shoot every German plane. The RAF were pretty incredible, can you imagine landing a plane like that on the water? Too bad they ran out of fuel. God, I’d be proper scared landing like that.”

Nolan’s film provides a fresh starting point for discussing the war, and Dunkirk particularly. Films are some of our greatest resources to access history. Of course, they must be taken with a grain of salt. According to a study by Dr. Peter Seixas, Professor of Education at the University of British Columbia, the more engaging the film, the less likely audiences were to criticize its historical merit.

Dunkrik Movie Poster (2017)  Dunkrik 1958

Instead, filmic devices, such as realistic violence and use of blood, boosted the perceived authenticity of the historical event. Older films depicting the same event, despite being limited by 1950s or 1960s censorship, were seen as less historically genuine. Interesting, no?

But if Dr. Seixas’ observation is true – that the more engaging the film, the less likely audiences are to question its historical accuracy – then Nolan is stuck between a rock and hard place. Is it possible for Nolan (or any director) to create a film that is both highly entertaining and historically accurate?

No. Let’s get real. It’s impossible to exactly mirror history into any medium, film included. But, we can give credit to Nolan for attempting to gain authenticity in other ways. Nolan wanted to make his Dunkirk epic as British as he could, despite the need for American-sized film budgets to achieve his vision. After all, Dunkirk was a British failure. And depending on your perspective, a British success. Nolan chose only British actors and emphasized the Britishness of this endeavor. Ironically, the film is expected to be more lucrative with American audiences than British. But, whereas the British are educated about the failure of Dunkirk from a young age, many Americans will be introduced to Dunkirk for the very first time through this blockbuster film.

But, importantly, Nolan’s Dunkirk is also contributing to Dunkirk’s ongoing cultural legacy.

The “Dunkirk Myth” might be defined as a Britain’s ability to embrace defeat as a platform for eventual victory; the humanity and compassion of the British people to help one other created the perception of a strong community and an enduring nation. It was the marriage of the home front with the battle front, the defeat with the victory. Since 1940, the Dunkirk Myth has been influenced by various novels, speeches, poetry, and, importantly, films.

This is why is it so very important not to lose sight of the historical facts within this national myth – now reintroduced to new generations through a super visceral, action-packed CGI-enhanced, American-budget British war movie, right?

So what was Dunkirk?

Simply put, it was evacuation of 338,000 Allied soldiers (chiefly from the British Expeditionary Force and French Army) from the beaches of Dunkirk, France from 26 May to 4 June 1940.

A few weeks earlier, Germany had launched a surprise Blitzkrieg (lightening war) on the Allied forces in western Europe. This same German maneuver had epically failed in the First World War (resulting in stagnant trench warfare). But in May 1940, Germany was incredibly successful due to the element of surprise, wireless communications, anti-aircraft guns (called flak), the tight coordination of land and air forces, and stronger tanks.

2.WK., Frankreichfeldzug 1940: Deutsche Militaerkolonnen

This German motorised column secretly advanced through the Ardennes in May 1940. This was no easy feat with 134,000 soldiers, 1,222 tanks, and nearly 40,000 lorries and cars that had to narrowly navigate heavily wooded areas.  Even “Traffic Managers” flew up and down the columns to alleviate any deadlock. But it was a stunning success. Historian Richard J. Evans claims that Germany achieved the greatest encirclement in history with 1.5 million prisoners taken with less than 50,000 German casualties.

Over 66,000 British soldiers died from mid-May until the end of the evacuations on 4 June. A combined total of 360,000 British, French, Belgian and other Allied forces died during the Battle of France, which ended with its surrender on 22 June 1940.

(For more further reading, seen Richard J Evans’ (2009) Third Reich at War, Julian Jacksons’s (2003) The Fall of France: The Nazi Invasion of 1940, Ian Kershaw’s (2008) Fateful Choices: Ten Decisions That Changed the World 1940–1941 or Ronald Atkin’s (1990) Pillar of Fire: Dunkirk 1940).

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This map from Time Magazine from 10 June 1940 shows the “Nazi Trap” enclosing in on the British and French forces.

Fleeing the German advance, nearly 400,000 Allied soldiers were pushed as far west as possible, until they reached the English Channel at the beaches of Dunkirk. Churchill called it the greatest military disaster in British history. This was also the last time any Allied Forces would be in France, Belgium, the Netherlands or Luxembourg until the famous D-Day landings nearly four years later. This evacuation also meant that all of western Europe was left alone to suffer German occupation for four long years.

Why is this disaster considered a success?

Due to the mobilization of over 800 boats, ships, yachts and other private holiday vessels, 338,000 men who were standing helplessly on the beaches of Dunkirk (as many naval ships could not dock to collect them) were successfully evacuated within just 10 days. From a humanitarian perspective, this is obviously impressive.

But it also meant that commanders made impossible choices, such as leaving behind the sick and wounded, and destroying Allied vehicles, equipment and resources, lest they fall into enemy hands. It was truly a fight for survival against overwhelming enemy forces, low morale, and very few resources. It was also a fight against time. Tick-tock, indeed.

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Kenneth Branagh’s role as a Naval Commander (with a changed name from the original) reflects  the impossible choices that British commanders faced. All army materials and vehicles were destroyed. Also,  the BEF was the top priority for evacuation. Although some 140,000 French soldiers were evacuated, nearly 40,000 were left behind.

What happened after Dunkirk? (And yes, there is a point for asking this)

Dunkirk ended the “Phoney War,” the 7-month lull on the Western Front following Hitler’s invasion of Poland in September 1939. This shocked the world and brought international attention to the fact that Germany was a formidable force. Hitler’s fiery promises to conquer Europe were not just hot air, but had legitimate merit.

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The conquest of France marked the highest point in Hitler’s popularity for the entire war. As the Battle of Britain began raging overhead, Hitler called for peace on 19 July 1940: “A great world empire will be destroyed […] In this hour I feel compelled, standing before my conscience, to direct yet another appeal to reason in England. I believe I can do this as I am not asking for something as the vanquished, but rather, as the victor, I am speaking in the name of reason. I see no compelling reason which could force the continuation of this war.”

Immediately after Dunkirk, the war took to the skies in a fierce combat for air superiority called the “Battle of Britain.” Why? So that Hitler’s forces could invade Britain without constant aerial bombardment in the autumn of 1940 – before winter made it impossible to invade. German Luftwaffe planes initially attacked British air bases in southern England. Royal Air Force pilots (including Commonwealth and Polish pilots) were vicious competition for the vastly superior and better equipped Luftwaffe. Daily “dogfights” were witnessed by civilians. RAF planes and pilots dropped like flies. Churchill’s famous observation that “Never in the field of human conflict was so much owed by so many to so few” reflected the fact that these tireless pilots had become the last line of defense.

RAF Pilots

The average age of a RAF pilot in the Battle of Britain, such as these handsome men above, was just 20 years old. The average life expectancy for a Spitfire pilot was just four weeks. Over 20% of pilots were from Commonwealth nations, or were Polish or Czech. Despite having a much better equipped air force, Germany suffered 2,600 pilot casualties. Britain lost just over 500 RAF pilots.

By late August 1940, a small bomb was dropped on London (German command alleged it was an error). Error or not, this expanded the range of targets to now include civilian centers. The RAF then bombed Berlin. The Luftwaffe again bombed London. The “Blitz” of British cities shadowed the same quick, surprise tactics that the German Luftwaffe had recently used so successfully against infantry forces in western Europe. Night bombings and devastating daily air raids on homes, factories, ports, lasted until May 1941, killing an estimated 40,000 Brits and making hundreds of thousands homeless.

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One of the most iconic photos from the Blitz is St. Pauls Cathedral standing intact after a raid on 29/30 December 1940.

The Blitz, as it would be called, meant that British urbanites had to persist through the most difficult circumstances to continue surviving. Londoners especially “kept going” with daily tasks that came to epitomize the archetype of endurance. If ever there was a time in British history when the national character became so well tested, and so well defined, this was it. (For more reading on this very interesting topic, check out Angus Calder’s (1969) The People’s War: Britain 1939-1945 and (1991) The Myth of the Blitz and Jeremy Crang and Paul Addison’s (2011) Listening to Britain: Home Intelligence Reports on Britain’s Finest Hour, May-September 1940).

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Photos, such as this London milkman continuing his deliveries (while firefighters douse a fire in the background), came to typify the resilience and endurance of Londoners to “keep on” despite the war unfolding around them.

What about the Dunkirk Myth?

Although “The Dunkirk Myth” preceded the Blitz, it also developed alongside the Blitz spirit through various culturally-important products (for those who want the pure academic stuff, see Nicolas Harman’s 1980 Dunkirk: The Necessary Myth or an excellent review by my old supervisor, Prof. Paul Addison):

Broadcasts from JB Priestly in May 1940 reporting on the flotilla of “little ships” in the English Channel. Priestly’s depictions of ordinary Englishmen coming to the rescue of the helpless troops transformed this war from a military affair to one which required the entire mobilization of the home front. (But, to be historically accurate on this point, Englishmen weren’t voluntarily throwing themselves into the fray, but the British navy normally took charge of their vessels then used them as required to save the troops).

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Priestly became a formidable voice of calm reporting (and propaganda) for Britain, though he faced criticism in later life.

Churchill’s famous “We shall fight them on the Beaches” speech to the House of Commons. Everyone has heard this speech. It’s epic. But most everyone does not know that the speech was not broadcast. British newspapers printed excerpts of it, but it was not until 1949 when it was recorded.

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This comic from Reddit uses Churchill’s historic rhetoric to satirise reactions by today’s British authorities to threats against modern Britain.

Paul Gallaco’s Snow Goose, a short story (and eventually a novella) first published in the Saturday Evening Post in 1940. This tearjerker reveals a growing friendship between a disabled artist and lighthouse keeper and young woman, who discovers a wounded Snow Goose. Loads of symbolism paints the picture of innocence and loyal love dismantled by the tragedies of war. And the evacuations of Dunkirk become a sort of self-sacrifice for humanity, art, and first loves. The Snow Goose novella had a strong impact on British society. It was a favourite for young readers due to its short but eloquent length and even Michael Morpurgo cites it as an influence on his much-loved War Horse. People saw Dunkirk not for what is was in strict military terms – a colossal disaster – but a sort of coming of age story about the enduring spirit of British compassion and humanity.

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Fantasy Book Review claims Snow Goose is a “a tribute to the indomitable human spirit”

Dunkirk (1958). Starring Richard Attenborough, John Mills and Bernard Lee, it became the second largest grossing film in Britain of that year. By following an English civilian and a British soldier, the film unfolds from two key perspectives, again cementing the myth that Dunkirk united the home and battle front in one great national rescue mission.

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Richard Attenborough starred in Dunkirk (1958) but did not receive an Oscar nod

Ian McEwan’s Atonement (novel) and Atonement (2007) film. Atonement follows the blossoming love of a young couple interrupted by the shocking and criminal accusations of a younger sister. Soon enough, the war unfolds and both sisters become nurses in London while the protagonist is sent to France to fight. Dunkirk (again) is used as a historical event that binds together the home front and battle front, becoming both a barrier and vehicle for unity. Director Jo Wright’s incredible scene of the Dunkirk beaches is praised as “one of the most extraordinary shots in the history of British film – a merciless ten minutes, panning across an army of bedraggled and bleeding British troops huddled on the beach at Dunkirk, with ruined ships smouldering in the shallows beyond.”

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This 5 and a half minute unbroken sequence in Atonement (2007) was filmed by director Jo Wright with 1,000 extras to emphasise the chaos and disaster of the Dunkirk beaches. See it here.

Finally, Nolan’s Dunkirk (2017). An epic war film that refuses to be classified in all the genres we normally assign. I suspect it will haunt and challenge both critics and audiences for many years to come. But perhaps we should also be wary of a film that is so very one-sided? So singular in its storytelling?

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One-Dimension’s Harry Stiles may have taken all the limelight, but Tom Hardy’s performance as an sharp shooting RAF pilot definitely won my vote. Swoon.

So what?

Historically, Dunkirk was the rude awakening that not only shocked the British Expeditionary Force, but also the British home front. As Churchill said solemnly “Wars are not won by evacuation.” People began to fear for their sovereignty, their homes and their country in a way that they had never before. How they reacted was a real testament to their national character, and how they survived was a real testament to their national legacy.

Culturally, Dunkirk planted the seeds of a national myth that developed, grew and transformed as the war unfolded. Initially it was highly propagandistic with Priestly’s broadcasts or Snow Goose love stories, but as time has passed, Dunkirk’s legacy appears to still enthral the imaginations of a new generation. It was a paradox that such a defeat could be transformed into a stunning success. Now, 77 years later, we are still discussing Dunkirk’s historical relevance and cultural impact on British national identity in the face of overwhelming odds and great uncertainty.

Which begs the question – the same question others have already asked: What about Brexit?